Conscious Capitalism

 
 
 
 

Jules Pieri

Jules Pieri

I’m working with AuthorsGlobe on  some really interesting online Master classes which give people  easy access to some of the most progressive business thought leaders of our time.   The current series kicks off  on November 10 with Raj Sisodia.  He’s a Professor of Marketing at Bentley University.  A few years ago, as part of a long process of questioning traditional marketing and even fundamental business practices, and while writing his book “Firms of Endearment,” Raj began the process that lead to his founding the Conscious Capitalism Institute.

I asked him a few questions to explain this exciting movement.

Conscious CapitalismHow do you define conscious capitalism?

We define conscious capitalism as having four key characteristics:

  • First, business can and should be done with a higher purpose in mind, and not just with a view to maximizing profits. A sense of purpose creates a high degree of engagement for all stakeholders, especially employees.
  • Second, the business is explicitly managed for the simultaneous benefit of all of its stakeholders. We use the acronym SPICE to denote the stakeholders: Society, Partners, Investors, Customers and Employees. A conscious business aligns the interests of all stakeholders, so that what is good for one is good for all.  Society is listed first for an important reason: businesses must ensure that they are on the “right” side of society, that they have a positive net impact on the world.
  • Third, such businesses have conscious leaders, who are driven primarily by their loyalty to the firm’s purpose, rather than being driven by power or money. They lead by mentoring, motivating, developing and inspiring people rather than through command-and-control or the use of so-called carrots and sticks.
  • Finally, such businesses have some unique cultural characteristics. We represent them using the acronym TACTILE, which stands for Trust, Authenticity, Caring, Transparency, Integrity, Learning and Empowerment. The word tactile also suggests that the cultures of these companies are very tangible to their stakeholders as well as to outside observers; you can feel the difference when you walk into a conscious business versus one that is purely driven by a profit motive and just for the benefit of shareholders.

What’s changed to make this important today?

Business as usual will not work because people have changed, and also because our collective sense of urgency about the need for radical change has never been stronger. As Tom Friedman wrote in the New York Times recently, “Mother Nature and Father Greed have hit the wall at the same time.”

The world has changed significantly, especially in the past 20 years. What used to be acceptable in the past is no longer acceptable today. Think about it. 150 years ago, slavery was widely acceptable to a large number of people. 100 years ago, many thought it acceptable to deny women the right to vote. 75 years ago, colonialism was still widespread and generally accepted. 50 years ago, most people accepted segregation as a way of life.

As human beings, we did not stop evolving when we got up on our hind legs. Our evolution continued, but became more internally driven. As these examples illustrate, our consciousness about what is right and what is wrong is constantly evolving. The data also suggests that human intelligence has been rising at an average rate of 4% every decade for the past 70 to 80 years. This is known as the Flynn Effect.

Some of the greatest changes in society occurred about 20 years ago. The fall of the Berlin wall in 1989 triggered the collapse of communist regimes all over Europe, something that had been unthinkable just a few years before. This essentially ended the defining ideological debate of the 20th century between competing systems for organizing human societies. Capitalism and democracy decidedly won that battle, and the only question now was the type of free markets and democracy that worked best.

1989 was also the year in which, for the first time, there were more adults over the age of 40 than below the United States. The psychological center of gravity shifted into midlife and beyond, triggering a gradual but deep transformation of the zeitgeist towards a greater concern with meaning, purpose and other centeredness. We refer to this as the beginning of the “Age of Transcendence.”

In 1990, Tim Berners-Lee created the World Wide Web, an invention that would transform the world like no other, perhaps in our history. Within a few short years, the web ushered in an era of true information democracy, in which the average person had free access to more information more rapidly than the richest persons in the world had enjoyed previously. People became infinitely better informed, and were soon far better connected as well, through the web as well as through mobile technology. We now live in an era of almost total transparency, in which all corporate actions and policies become public knowledge, especially if they are controversial.

Taken together, all of these changes have resulted in a dramatically transformed landscape for business. The so-called feminine values of caring, nurturing, relationships and compassion are on the ascendance in most spheres of society. People today care about different things, are better informed, better educated and better connected than ever before. They are looking for different things from companies, in their roles as customers, employees, suppliers, investors and community members. However, most companies have not evolved to keep pace, and are still conducting business according to norms that were developed in a much different time.

Companies that operate according to the principles of conscious capitalism are far better attuned to the sensibilities and needs of people today. These companies create multiple kinds of wealth: social, economic, intellectual, ecological, cultural, spiritual and of course financial. Our research (reported in the book Firms of Endearment) found that such companies outperformed the market by a 9 to 1 ratio over a ten-year period, while paying their employees better, having profitable suppliers, paying taxes at a higher rate, providing great customer service, investing in their communities, and having a positive impact on the environment.

 
 
 
 

Rajendra Sisodia

Raj Sisodia

What companies or individuals are the best examples of being conscious capitalists?

 

Our book features 28 companies, 18 of them publicly traded. Outstanding examples include Whole Foods Market, The Container Store, Southwest Airlines, Costco, New Balance, Timberland, Wegmans, Trader Joe’s, UPS, Starbucks and Google. A great example outside the US is Tata, one of the leading companies based in India. Tata has truly been a conscious capitalist for well over 120 years, always acting from a sense of higher purpose that puts society’s needs as paramount and seeing profits as the natural outcome of meeting those needs in an effective and efficient manner.

What’s an example of a company that’s represents the opposite of a conscious capitalist company?

An easy example is British Petroleum, which has just gone through a very public and humiliating ordeal that has revealed how hollow its claims of being a responsible, environmentally sustainable company truly were. A company that is rapidly evolving towards greater consciousness is Wal-Mart. For a number of years after the death of Sam Walton, Wal-Mart became a relentless cost-cutting machine, squeezing its employees, suppliers and communities in order to eke out low prices for its customers and high returns for its investors. After a decade in which its stock price was virtually unchanged, the company has gradually started to better align itself with the value system that is increasingly prevalent today. Other companies that are transforming in a positive way include McDonald’s and PepsiCo.

What will it take to make this a mainstream idea?

The business world, like many other spheres of society, is highly imitative. As they say, nothing succeeds like success. As conscious businesses continue to outperform their competitors, other companies will be forced to start emulating their business philosophy in order to survive. Our purpose in the Conscious Capitalism movement is to help thing about this change more rapidly and in a more conscious manner, so that companies understand what it truly takes to be an authentically conscious business and not just one that pays lip service to the idea.

Our mission at the Conscious Capitalism Institute (www.cc-institute.com) includes three elements: research, education and development. We will conduct research that will help improve our understanding of the principles of conscious capitalism and how they can be best implemented. We will develop educational materials (including cases, courses and simulations) that can be used to better educate the next generation of managers coming to our business schools. Finally, we are developing executive education programs to help current managers understand and implement this approach.

Our hope and dream is that one day soon, Conscious Capitalism will come to be seen as the “normal” way to do business. When that happens, we will be well on our way to creating a society that creates a rising level of well-being for all our citizens in a manner that is sustainable for the indefinite future.

What will people learn from listening to your master class?

Through the master class, people will understand how the world is changing, why businesses need to respond, the key elements of conscious capitalism, the impact of these on performance, and how companies can start the change process of becoming truly conscious businesses. They will understand that business transformation starts with individual transformation, and that they must embark on a journey of raising their own consciousness. They will leave with a new lens with which to view the world, and a new perspective on the kinds of companies they should look to associate with, as customers, employees, investors and community members.

What advice do you give your 3 children in terms of how they can support or contribute to this idea that’s so important to you?

I have tried to get them to understand the consequences of conscious versus unconscious decision making in all spheres. By now, they are all pretty well indoctrinated into the philosophy of conscious capitalism. I am sure that when they look for a job, or perhaps one day when they start a business themselves, they will keep these principles in mind so that their own prosperity does not come at the expense of other people or the planet itself.

 
 
 
 

You can register here to participate in Raj’s November 10 Master Class at Authors Globe.  What a great way to have direct access to Raj, without ever getting on a plane.

 

 

 

Ready, set, push the red button

When we were just about to go live with our new site, I was IM’ing with someone and I wrote, “The ops team is waiting for me to give the OK to push the red button on the black box.”    The guy on the other end of the chat believed me–that there really is a black box with a red button.  That was such a charming idea, that we took a photo of Patti and Anthony pushing a button and “going live.”

Don’t they look amazing for being beyond sleep-deprived?  (This was at 1AM and they did not get any sleep at all afterwards either, watching their new creation take its first public steps.)

Daily Grommet’s extreme makeover

There’s a bit of a cobbler’s children effect at Daily Grommet. We’re always so focused on other people’s products that we don’t have much time to polish our own shoes. But after having the same basic site since we launched in October 2008, we decided it was time to take the plunge on a new one. Why? Mainly, we’ve outgrown some of the home-made “crunchier” aspects of how we built things.  (And the hamsters powering the back end are getting REALLY tired.)

Although I am excited to release the new site, I’ll admit, the number one thing I worry about is getting too “slick” in a revamped design. I never want to lose the intimacy and, frankly, oddball qualities of how we work and think and communicate with you.

But I also don’t want to be so “odd” that it’s hard to find the Grommets, or confuse you with an unconventional shopping process, so we are nimbly sallying forth. At this point, with over 500 Grommets, we need to make it easier to cruise around making new discoveries, search more effectively for a Grommet– even when you can’t recall its name, and give more shipping and gifting options. We’re also adding some whole new areas for exploration, and taking some new risks.

The heart of what we do, telling you true stories about fresh discoveries, remains untouched. But here’s the rundown of what’s new:

A better place to shop

Probably the first thing you’ll notice about the new Daily Grommet is that we’ve amped up our look. There are brighter colors, bigger, better, and more pictures, all layered onto a clean and easy structure so you can get where you need to go, find what you’re looking for, discover something new and unexpected, and get to the heart of the story faster than ever.

Citizen Commerce – on steroids

We’ve always relied on ideas from our community to fuel the discovery on Daily Grommet. Now you can share your finds and favorite products with everyone. Take a look at our brand new Citizens’ Gallery:

The Citizens’ Gallery is where you can submit your idea for would-be Grommets. You can upload videos, images, and all kinds of details about why you think a product is special. If your submission is selected for display, it’ll be visible to everyone right here. You can rally your supporters to “like” your idea and share it out through your own networks, on Twitter and Facebook.

This means that all our visitors can browse the Gallery and comment on Grommet ideas – we’ll be watching to see which ideas rise to the top; it’s a great way for you to make your voice heard in the discovery process.

Here are more new features we’ve built in:

  • A streamlined checkout process with express options
  • Flexibility around shipping and gifting – ship to multiple locations in a single transaction … more shipping options … and gift certificates
  • Enhanced search capabilities and improved organization by categories – get to the products you’re searching for more quickly
  • New ways to comment on and share Grommets

  • The option to gather Grommets you love in a Favorites list and share your list with friends who need a hint!

More great stories and inventive products than ever

Because we’re all about telling rich stories and providing you with the best offers, we wanted to give you even more of each Grommet. Our new format allows us to feature new items and offers from our Grommet partners.

Watch for even more good stuff in the coming months. And we’re all ears if you’ve got requests or ideas to make your Daily Grommet experience even better. Feel free to Email us anytime!

Maker Faire New York Gallery

Joanne and I had a stimulating time in Queens last weekend, at the premiere World Maker Faire New York, installed at the NYSCI Hall of Science.  With over 25,000 people attending, and 500 Makers, it was a meaningful happening.

You’ll see plenty of “weird” in my photos.  But I failed to capture the many, many ordinary-looking families, and a lot of the more tech-y and geeky aspects of the Faire.  They are simply not that photogenic…things like Arduino controllers and people in normal clothes can’t compete with colorful crafts, crazy contraptions, and kooky looking characters.

(The photos of us outside the back of a truck are actually of  a secret “pop up” restaurant.  Noodle Bar.  Fun!)

I love this blog post by Anil Dash that does a wonderful job explaining the Maker Movement.  He eloquently makes the case for why this “revolution” is enormous and matters:

Today, Dale Dougherty and the dozens of others who have led Maker Faire, and the culture of “making”, are in front of a movement of millions who are proactive about challenging the constrictions that law and corporations are trying to place on how they communicate, create and live.

I also loved what Joanne said, after having an exhilarating day connecting with the smart and creative Makers, several of which could be future Grommet partners:

There are parts of the Maker Faire that were weird, but all parts of it were wonderful.

Anticipating egg on my face, and apologizing in advance

Two weeks ago we had fully vetted a potential cooking tool Grommet and had it scheduled to run imminently.  We used the product multiple times.  We made the final video, wrote the story, negotiated the commercial terms.  I think we had done everything but shoot photography.  It was a “go”.  But then Katherine tripped on a negative review in a Dutch publication (the product is a European import).  She doesn’t read Dutch but she could read “trouble”.  She dug deeper, found enough to worry about, and Joanne cancelled the Grommet.

It caused all kinds of headaches for Joanne to make this decision.  Someone on her team had to face an upset product supplier.  Hours of lost work.  A messed up Grommet calendar.  A need to accelerate another Grommet.  Yet everyone knew it was the right thing to do.

But here’s the rub.  This will happen again, and we might miss the bad news and release the Grommet story.   The internet is our friend, we can find negative reviews in a nanosecond.  But if a product is new, or if the bad news is slow to surface on the Web, we could get “caught” by a disreputable new player or product.

I’m very pleased we are developing a new submission process which will openly publicize the ideas we are seeing.  What is now visible only to our team will live in a  public “Citizens’ Gallery”  on our site.    This change is going to be huge:  people will be able to get more welcome exposure for their submissions on the Grommet site, and that will also continue to raise the quality of them.

Here’s a first mockup…it’s undergoing revisions, but we want to share it anyway:

Bigger than that, to us, is that we will have a broader chance to hear multiple points of view on a product.  We will open up ways to comment on a Grommet idea.  By exposing our incoming submissions we will have a much better chance to learn about the possible Grommets from people who are committed to helping us maintain the quality and trust we have built, together, at Grommet.

But….for brand new products even this new Citizens’ Gallery is not enough.  Sometimes products fail after months of use.  Sometimes social entrepreneurs do not really give the share of revenue that they commit to at the beginning of their endeavor.  Sometimes they green-wash a product.  Sometimes the front-facing part of the company is professional but the service and operational ends are not.  We have so much experience in figuring this stuff out that we haven’t yet had a massive disappointment.  We don’t cut corners.  We have a nose for the truth, at every level.

But we will miss something important someday.   It’s just inevitable.  We are a small team.  We don’t pretend to be Consumer Reports or Underwriters Laboratory.  Our evaluation of a product, and the people and company behind it, is very holistic (more on this in a later blog post).  We will get duped or just make some errors.

For this, I will ask for all the input our community can give, once we start exposing our idea submissions.  But I am mainly, here and now, apologizing in advance.   When we get caught short we will move swiftly and powerfully to correct any errors.  It will be deeply upsetting to me and to the Grommet team, and our community.  So I am apologizing now.

Grommet in the wild (can I call a person a Grommet?)

I had the pleasure of hearing author and WSJ columnist Jeffrey Zaslow speaking last night, at a Carnegie Mellon alumni event.  We featured his wonderful book, The Girls from Ames, about friendship on Grommet last year.

You probably know his most prominent book which is an international phenomenon, having sold 5 million copies in the US alone, and translated into 47 languages:

And you might know his latest book:

But here’s the point of this post….if you ever have a chance to see Jeffrey speak, run do not walk to do it.  I went with a friend and he said:

These author things are often kind of lightweight because they are not comfortable speakers.  Ten minutes and then a Q and A.  But Zaslow!  It was long, but sooo worth it.   The first ten minutes he was like a stand-up comedian.  But the guy has worked with such interesting and inspirational people, and he has  a real gift for extracting the story within the story.  You know what it is like?  Like seeing Springsteen live.  Other musicians might just phone it in, but Springsteen totally delivers.  So does Jeffrey Zaslow!

Beyond that, Jeffrey was very gracious when we spoke and fondly remembered details of his Grommet experience.  I remember how excited we were to discover the book.  Our team devoured it and were delighted when the actual girls from Ames participated in our online discussion, alongside Zaslow.  It was a very rich day of conversation.  No wonder, with this author at the helm!

Inspired by Design

Today I would like to share a recent exchange  with Grace Bonney of the ever-popular design blog Design*Sponge. Although Grace needs little introduction, I’ll point out that she has forged the way for many design bloggers looking to tap their talent and share their design. Grace started D*S in 2004 and it’s readership wildly surpasses 60,000 a day. Grace’s talent, eye for design, and humble approach are all inspiring.

Design*Sponge also hosts an annual D*S Scholarship to support up-and-coming art and design students. Perhaps future Grommets will be given life as a result of Grace’s mentorship and generosity, it is very possible.

Grace BooneyInterview with Grace Bonney

We love to share stories…  Can you tell us the story behind the name Design Sponge?

I chose the name Design*Sponge because I thought it represented who I was and the way I soak up design- like a sponge. Looking back, part of me always wishes I’d chosen a cooler name (it can feel a little silly to say the word “sponge” 20 times a day), but Design*Sponge is perfect because I’m not a super cool or slick person- so something slightly dorky and upbeat is pretty accurate ;)

What makes you stop to look at a particular design or piece of art twice?

Like a lot of people, I respond to things on a completely gut level. If it makes me smile, laugh, feel sad or reminds me of something that’s meaningful to me, it’s almost always a good sign that I’ll consider posting it. I only post 6 times a day (which isn’t a lot if you consider only 2 out of every 6 posts is product-based) so I’m really careful with what i choose to post, product or art-wise. I try to never post something that’s appeared online before and always focus on something that I think will make our readers smile, or will in some way inspire them to do something in their own home.

DIY salvaged wood inspiration board from D*S

With the rise of popular design blogs like yours, do you feel design is more accessible to the masses? Has this changed the design industry- if at all?
 
Absolutely- it’s impossible to ignore the way the web and design blogs have effected design and the design market as a whole. From crowd-sourced product-design to the increased access to designers and products from around the world, it’s as if the wall between consumers and products has completely crumbled. That wall was built out of things like fancy interior designers and high end trade magazines- things that created this myth that “real” people couldn’t create a well-designed home without the help of someone in the profession. But when the design world came online (blogs, Etsy.com, online designers at affordable prices) people realized, ‘wait a minute- I can get advice, access to products, trend tips, and shopping roundups online for free?’ then why do I need someone to tell me what to pick, how much to pay, and where to buy it? You can do all of that online for free now. If you need a little extra guidance you can pick a design blog that speaks to your style and get an edited list of suggestions. But if you’re enterprising you can go online and order everything you need for your dream home without ever consulting an interior designer or cracking open a fancy trade magazine.
 
Why do you think Design Sponge hits a nerve with so many people?
 
I think D*S was in the right place at the right time with the right content. I started the site pre-Domino magazine and there were only a handful of blogs running back in 2004. Originally, there wasn’t a place for young women on limited budgets to find something inspirational and that spoke to their specific style. So in the early stages, I think it was about filling a niche that wasn’t being filled yet. But as the site has grown (and more blogs have started to fill the same niche), I’ve done my best to expand and grow so that we focus on bringing unique and original content to the table. It’s hard to stand out if you just post new products, because everyone gets the press releases and news on practically the same days, so instead of getting into that race for “new new new”- we focus on trying to share new ideas and original columns that our readers won’t see anywhere else. I think people (I know I’m like this with the blogs I love) appreciate seeing any site that is always trying to push itself further and serve their audience in more and more ways.
 
How is your book coming?
 
Well we’re finally in the end of the design phase! Design*Sponge At Home will be on shelves next spring! It’s 400+ pages of home tours (75 at last count), DIY projects and DIY basics (50 projects and a huge list of basics like wallpapering, electrical wiring, and upholstery), Before & Afters (50 makeovers and tips to recreate the look in your own home) and a fun section on Floral Arranging. I can’t wait for everyone to see what I’ve been poring over for the last year :)
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Your work is a life force in celebrating and preserving craft. How do you approach merchants like IKEA who have high design sensibilities but compromise on construction and materials to meet a low cost?

I think some people feel handmade and machine made can’t exist in the same world- but they could and should. There’s room for all design if you know how to use it. Personally I don’t feel IKEA compromises on construction- they’re pretty up front about offering basic furniture at basic prices. I’m disappointed when I see larger brands offering shoddy merchandise at higher prices. I would never walk into IKEA and expect hand-crafted dovetail joints for $99 so I’m never disappointed ;)
     However, I think it’s all about a balance. If you only bought handmade all the time, you’d really be spending a lot of money and if you only bought mass-produced you’d start to have a cookie-cutter home and would miss out on supporting great local artists.
     So I think my responsibility is to point out what you can do with great affordable things from shops like Ikea (ie: diy projects and customization) and to point out great indie artists doing things by hand. It’s up to readers to decide how best to integrate that into their own homes to suit their needs.
…at the end of the day, great artists will find a way to get their work out there.

I have two sons studying design in college, so thanks for your work to support students. Which schools do you see doing world-changing work these days?

Oh man, I LOVE student design. I really wish I could teach a summer course on properly using the internet to advance a young career- it would be a blast. I think just about every furniture and product design student I see coming out of Pratt is amazing. And I love the creativity of the fibers students at the Savannah College of Art and Design. FIT’s pattern design students are fantastic, and the open-minded students coming from the California College of the Arts (formerly “of the Arts and Crafts”- so sad they changed their name) are amazing. RISD is consistently churning out great artists, as is Cranbrook. But at the end of the day, great artists will find a way to get their work out there. Some of my favorite designers are people who discovered art without a formal education.

Is there a reason your team is nearly all women, like ours, or is it serendipity?
 
I think our aesthetic is inherently a bit girly, so we’re going to attract a primarily female audience and editorial team. But we do have a few guys on the team- Derek Fagerstrom (DIY), Nick Olsen (trend watching), and Ryan Walker (Behind the Bar column) contribute and I’m always looking to have more male voices on there. But I think the site in nature is highly feminine so it will probably always be skewed that way until, and if, we expand to embrace a more masculine look.
 
Grace, thank you for sharing with us. We look forward to reading your book when it comes out and always, look forward to the day’s inspiration over on D*S.
 
While browsing Design*Sponge, we stumbled upon some “grommet” inspiration.
 

Claire from 0 to 60 on video

I was so delighted to see this final (for now) video from our recently departed intern Claire Lorman. She’s headed back to Savannah College of Art and Design for her Junior Year. Claire wrote a heartwarming departing blog post and this video was like another form of greeting card for me.

I just loved seeing her learn and blossom and really contribute in her summer stay at the Grommet. I think of my own son who also just finished his summer internship and hope he endeared himself as much to his employer as Claire did with us.

What it is REALLY like to have your picture taken for The New York Times

First off let me state clearly that we were over-the-moon-happy with Amy Wallace’s feature story on Daily Grommet in The New York Times Sunday Business section yesterday.  Here’s a picture of me holding it.

This is our first “big” national story and we were lucky to be in the hands of such a skilled journalist.

But here’s my former fantasy (held since childhood) about what it would be like to get my picture taken for an important article:

  • I’d get a good night’s sleep before the photo session.  And I would be serene and composed, having deferred all difficult tasks to another day.
  • I would make sure my hair looked good.
  • I’d carefully plan my wardrobe to be flattering and, surely, project the right image.

Here is what really happened.  We had one hour’s notice of the photo shoot. I’ve been traveling non stop and we realized we HAD to do it on a rare day in the office. The NYT pulled a photographer out of the hat very quickly to accommodate.

Joanne and I each had a brief 10 second panic.  Not just for the surprise.  More that we were in no state to be photographed.  And that is not vanity talking…

It was a 95 degree high humidity day in Boston and we had spent most of it shooting video.  That is tiring in itself, but the hardest part is we have to turn off the air conditioning in the office to avoid the blowing sounds.  It’s a challenging day for all of us because of that.  (No heat in the winter either, but that is not as uncomfortable.)

Joanne and I were stained, rumpled, sweaty messes.  Whatever hairdo or makeup we had sported in the morning had been long wiped out.  We each  made a quick plan to buzz home and put on something clean.  I said, “I’m coming back in a white t-shirt and a black vest.”  She said, “No!  That’s my go-to outfit for pictures.” Clearly we’ve been working together too closely.

I thought about fighting back.  But I then realized I could make no such impressive claim to having a “a go-to outfit.”  So I stuck with the wrinkled (never ironed it in the AM anyway) linen print dress I had on.  (Julia reassured me it was “very Grommet.”)  I did go home to slap on some makeup…but the reality of that photo is we were still dripping with sweat and anything but fresh.

When the actual article came out (online first) I was afraid to look (not so much for the photo but for any stray bonehead quotes I had provided).    We knew it would hit at 3PM on Saturday and I cowardly stayed down on the dock in Maine while my family and a bunch of friends from Dublin and Detroit  were up in the camp hitting “refresh refresh refresh” on the NYT site.  When the article finally appeared, 19-year-old Julie (who won Miss Trinity College Dublin this year) used her finest elocution skills to read the article to all assembled.  Then, my “toughest critic” son showed upon the dock sporting an iPad and a big smile.  I knew I was in the clear.

Amy had spared me from myself, this time.

My hair does look sweaty, though.

More Grommets in the Wild

I recently posted updates about Grommets I spotted in San Francisco…now here’s an update from the Detroit and Boston fronts.

First stop, the Maker Faire Detroit.  I was there to give a talk on Citizen Commerce ™, while also kicking off a “Great Grommet Search” for Michigan based products.

Here I am struggling through some AV challenges before my talk, which were nicely mitigated by the Make Magazine editor Goli Mohammedi.

I chatted with Bethany Shorb and the Cyberoptix Tie Lab Studio Manager David at the Maker Faire in Detroit–where they had an expectedly well-conceived and merchandised booth.

Bethany has some terrific new designs.  My favorite was the blueprint for Cass Technical High School.  She said, “But I won’t tell you where I got the originals.”  The former (current?) rocker likes to live on the edge of danger in her art too, apparently.  I like this particular set of designs because Cass Tech was the Detroit public high school I was slated to attend until I snuck in my parents’ basement, called a posh boarding school, and scared up a scholarship to attend (true story, abbreviated to make it snappy).

I ran into one of my junior high pals and “almost” Cass classmates while in Detroit.  I learned what I would expect…Cass Tech would have been a great educational home for me if the suburbs and a dorm by the lake hadn’t called me away.

Back on the ranch, in Boston, I spent a few happy hours at the SOWA Open Air Art Fair on a steamy July Sunday.  I bumped into Jeff Weeks of Mean and Wroughten (remember the hand-made cribbage board from discarded tools?)

I forgot to snap a pic of Jeff, and when I went back to his booth, I found it being manned by a not-too-pleased Scott, who play-acted his anger at Jeff (with a dagger for prop) for taking off and not getting back at the agreed time.  That’s Jeff being Jeff, methinks.  But we love his work.

I hung with Olivia Chamberland in the Zamforia booth of clever “It Says Love” t-shirts. They’ve opened their first retail location…if you are in the vicinity of Quincy, MA go check it out.

Speaking of retail locations, I also popped in to visit Michelle of Michelle Wiley Home on Union Square in Boston.

Michelle discovered the Jokipiin Pellava line of luxury Finnish bath towels and did  a gorgeous job explaining them in this video.  She’s since expanded her shop, added a tight line of apparel, and an enthusiastic store manager named Keith, who gets to bring his dog to work too.

Michelle has a such a lovely sensibility to everything she chooses, and the way she does her displays.  Keith is making his mark too.  I am signing off with a few eye candy shots from the shop.